In the lexicon of visual art, the term polyptych traditionally designates a single pictorial organism composed of multiple articulated elements—panels conceived as autonomous yet inseparable parts of a unified whole.
In Tribute to Traditions: Unity in Cultural Diversity, this structure becomes more than a formal device: the twelve panels operate as a symbolic constellation, articulating a vision of unity where multiplicity does not fragment the whole, but reveals it—one in all and all in one, as undivided expressions of a single, living continuum.
Conclusion
Tribute to Traditions: Unity in Cultural Diversity stands as a work that transcends categorization: historical and mythical, contemporary and timeless, institutional and experiential. It is not merely an object to be viewed, but a symbolic architecture to be inhabited—a visual cosmology in which diversity becomes structure, and unity becomes meaning.