INSTALLATIONS
Within this practice, the investigation of digital environments and network-based installations operates in direct dialogue with questions of materiality, language, and duration. Digital space is approached not as an immaterial field, but as a system of relations in which images and narratives are continuously reconfigured.
Ornamental Imaginary
The ritual passage from Chaos to Ordered Cosmos
The work challenges the conventional opposition between the real and the virtual. Dematerialization is understood as a transitional condition through which new forms of presence and meaning emerge—produced through process, interaction, and temporal instability.
Palazzo Ducci del Rosso, Sansepolcro
The Universe as a continuus fluxus
This inquiry into digital materiality finds conceptual continuity in fresco. While operating at opposite temporal registers, both digital systems and fresco bind image, structure, and duration into a single field of responsibility.
Galbino Castle
in Boîte-en-valise
Across both fresco and digital environments, the image is treated as a temporal structure—resisting immediacy in favor of continuity, permanence, and ethical presence.
“San Joseph Beuys, sciaman, perform a miracle!”
OGHADA, installation, 2012