Ogadha
Flux · Samsara · Perceptual Field
Derived from Sanskrit, Ogadha denotes an unfathomable depth — a condition that cannot be measured, only entered. The work unfolds within this dimension, not as representation, but as immersion.
...Quel mar al qual tutto si move develops as a meditation on continuous becoming — a field in which all forms emerge, dissolve, and reconfigure within an uninterrupted flow.
The seven panels unfold as a dual current: two opposing wave formations structured through inverted chromatic fields — a black wave emerging from a red ground and a red wave unfolding within a black field.
These mirrored movements gradually converge toward the center, where the distinction between figure and ground collapses into a center of indeterminacy — a condition in which opposition is not resolved, but absorbed into a continuous rotational field.
Rather than representing movement, the installation constructs a perceptual system in which polarity, inversion, and convergence become experiential conditions.
The reference to Samsara evokes the cyclical nature of existence: not as repetition, but as perpetual transformation. The viewer is not positioned as observer, but as participant within a perceptual field.
