I. Institutional Programmes Wing
Global institutions, museums, major exhibition venues and cultural programmes: the official contexts that frame public visibility and cultural memory.
II. Research Systems Wing
Long-term inquiry: systems, cycles, and visual epistemologies where method becomes form and form becomes knowledge.
III. Curatorial Projects Wing
Projects that operate as curatorial arguments: re-readings of art history, critical installations, and research-led narratives.
IV. Symbolic & Cosmological Structures Wing
Ritual architectures and symbolic systems: works conceived as instruments of orientation—thresholds, voids, cosmologies, and states of awareness.
V. Portrait Archives Wing
Portrait cycles as cultural memory: the human figure as symbolic territory, where biography becomes form and form becomes an ethical map.
VI. Installation Archives Wing
Spatial works and site-specific projects: environments, thresholds, and public-scale structures.
VII. Academic Platforms Wing
University contexts as cultural institutions: exhibitions, talks, and documented public thought.
VIII. Media & Dissemination Wing
International circulation: institutional media archives and documentation that extend the museum into the public sphere.
IX. Public Experience Wing
Audience presence as cultural memory: the social life of exhibitions, documented through participation and reception.
X. Intellectual Heritage Wing
Primary sources: interviews, conversations, essays and research notes — the museum’s discursive and documentary backbone.
XI. Cultural Collaborations Wing
Interdisciplinary cultural projects: patronage, music, civic dialogue — art as a living cultural interface.
XII. Studio & Origins Wing
The generative core: studio, method, fresco as knowledge practice — the museum’s place of becoming.